Stop Me If You’ve Heard This One Before: Favorite Reissues of 2010

2010_ReissuesThey say those who ignore history are bound to repeat it. In music, however, those who pay attention to history seem just as likely to repeat it. So here's a bunch of new versions of things that are worth ripping off. The percentage of previously unreleased material (as well as packaging, liner notes, etc) certainly factored into what made this list as much as the quality of the original work. 

Dollymixture 1. Dolly MixtureEverything and More [Dolly Mixture] | BUY
For the first time in on place this three-disc collection brings together UK cult band's singles, demos, live cuts and, well, more…all in one place. Most of this has never been on CD before. Add to this great liner notes from Saint Etienne's Bob Stanley, you've got an indie pop fan's dream come true. 

MP3: Dolly Mixture – Everything and More 

 

ORANGE_JUICE_Coals_To_Newca 2. Orange JuiceCoals to Newcastle [Domino] | BUY
Most of what makes up this 99.9% complete collected works of Glasgow greats Orange Juice has been available before — Polydor UK released some nice reissues in 1997 that went out of print almost immediately. But this marks the first time EVER that most of this has ever been available in America. And for those that did get the '90s reissues, there's even more here — Peel Sessions, live cuts, 12" mixes, alternate takes — that it justifies repurchasing. No vinyl and no 7" version of "Rip it Up" help keep it out of the top spot.

MP3: Orange Juice – What Presence?! (12" version) 

Wafwotf 3. The FallThe Wonderful and Frightening World of the Fall: Omnibus Edition [Beggars Banquet] | BUY
My personal favorite Fall album gets the four-disc Omibus Edition treatment. The 1984 record was the first fully made with Mark E. Smith's then-wife Brix, who brought pop smarts to the Mancunian band's somewhat difficult sound, and their first produced by the great John Leckie.  The Omnibus Edition restores the album's original running order, putting singles from the same time — "Oh Brother!," "C.R.E.E.P." and "No Bulbs" — on the second disc with their b-sides and rough mixes of album tracks. The third collects radio sessions, and the fourth is a live recording from their performance at the 1984 Pandora's Music Box Festival in Norway (set time 3:15AM) that shows what a powerhouse live band the Fall were at the time.

MP3: The Fall – Lay of the Land (Live at Pandor's Music Box Festival) 

TAMISHOWFALL 4. The T.A.M.I. Show [Shout Factory!] | BUY

The first ever home video release of this legendary 1964 concert film, given a first-class DVD courtesy the good folks at Shout Factory. The talent here is staggering — The Rolling Stones, Beach Boys, Marvin Gaye, Smoke Robinson & the Miracles, Chuck Berry, The Supremes — and the performances even better. But nothing tops the footage of James Brown that is worth buying this for alone and shows that Eddie Murphy's famous imitation wasn't really that far off from the real thing. Incredible.

VIDEO: James Brown & the Famous Flames on the T.A.M.I. Show 

 

Methodactors

5. The Method Actors – This is Still It [Acute] | BUY
Big thanks to Acute for putting the spotlight on obscure '80s Athens, Georgia duo who pounded out nervy post punk, a bit like Pylon's weird younger brothers.This best-of will have you scouring auction sites and used bins for more.

MP3: The Method Actors – Do the Method
MP3: The Method Actors – Bleeding 

 

JimSullivan_thumb_325 6. Jim SullivanU.F.O. [Light in the Attic] BUY
Whenever you think you've heard every lost classic, LIght in the Attic comes along to prove you wrong. In this case, it's Jim Sullivan, whose 1969 debut only known by writers at MOJO and employees at Aquarius. Now we get it too: expansive folk/country that should excite anyone who's ever loved "Wichita Lineman."

MP3: Jim Sullivan – Highways 

 

JaneBirkinSergeGainsbourg_t 7. Jane Birkin at Serge GainsbourgJe T’aime… Moi, Non Plus [Light in the Attic] | BUY
This one's a little better known, the first pairing of Parisian power-couple Serge Gainsbourg and muse Jane Birkin. The infamous title track is only the beginning, so many great songs — so many killer grooves — on this album, from the foreplay to the afterglow. The vinyl version comes with a bonus 7" and a comic book!

MP3: Jane Birkin et Serge Gainsbourg – Jane B 

Hawksh_alan_mohawkthe_101b 8. Alan HawkshawMo’Hawk: The Essential Vibes & Grooves 1967 – 1975 [RPM] | BUY
In a similar if much more superficial vein is this compilation of early recordings of Alan Hawkshaw, a British composer and session man whose work can be heard all over British TV in the late '60s and early '70s, be it theme songs or jingles. All of it was groovy. (If you bought those Sound Gallery compilations from the mid-'90s you've heard his work.) I don't know that you'd want to listen to this as a whole, but it's always fun to throw Hawkshaw's tracks on a mix (or while DJing) and he seems an untapped resource for sampling.

MP3:  Alan Hawkshaw – Dr. Jeckyl and Hyde Park

Goodhumor 9. Saint Etienne - Good Humor [UMC] | BUY
Consummate '90s Londoners decamp to Sweden to work with Cardigans producer Tore Johansson and try something new: a concept album about America made with live musicians. It turned out to be a genius move, and the 1997 album is arguably the band's best. This deluxe edition gives us a second disc that expands the Fairfax High bonus disc that came with it's American release on Sub Pop.

MP3: Saint Etienne – Swim Swan Swim

Thecure_d 10. The CureDisintigration [Elektra] | BUY
One of the mopiest records ever to become a (deserved) worldwide hit, the Cure's 1989 uberwork gets the three-disc deluxe treatment. In addition to a slightly-punched up remastering (not too egregious) we get a discs worth of demos, as well as the entire Etreat live album which originally only came out in France.

MP3: The Cure – Plainsong (demo)

Black-tambourine-anth-aa 11. Black Tambourine – S/T [Slumberland] | BUY
What with every band in Brooklyn (and elsewhere) naming this band as an influence, as well as Slumberland's resurgence as a label, it only makes sense that we'd get a deluxe version of Black Tambourine's entire output, including six new tracks, three of which were recorded specifically for this release. I'm not sure it really betters Slumberland's previous BT compilation (which was always available), but the packaging and liner notes are real nice. 

MP3: Black Tambourine – For Ex-Lovers Only

So Not the Best of the ’00s

 Oh, the list of Best of 00s TV I could write!
What a decade, huh? This one's notable as having been spent entirely in NYC, and entirely of the digital age which changed the way everybody listened to music. (Maybe not my parents but everyone else.) We had more access to everything, and less to to spend with it. That said, there was no shortage of good music, though I don't think anything hit me quite as hard as the previous decade — partly due to age, party due to aforementioned information overload. There's nothing from this year, as I feel it's too close to really tell how a record is gonna hold up over time, and only a couple from the last four years. (Though in 1999 I knew The Soft Bulletin and Mos Def's Black on Both Sides were among the decade's best and that's not changed. Different Times.) There's also way more from 2000 than I woulda thought before I spent the last month trying to figure out this list. 

PLEASE NOTE: This is not a Best of the '00s, because lists like that have to include Important Albums, Influential Albums and the like. I listened to Radiohead, Interpol, Franz Ferdinand, Arcade Fire, The Knife, The Strokes, Phoenix and whoever like everyone else. (I also listened to Louis XIV and Hot Hot Heat.) But, for the most part, these are a little more buried treasure-ish. I think the records that didn't get played to death in public are the ones you come back to the most. These are mine, in chronological order.
 

Sfa Super Furry Animals - Mwng (Placid Casual, May 2000)
Radiohead Schmadiohead. From 1995 to 2005, no band expanded the boundaries of guitar rock while remaining what you could call "commercially viable" than Super Furry Animals. Released in early 2000, less than a year after their last album (1999's Guerrilla) and the height of their creative peak, Mwng might be my all-time favorite SFA album, a relatively stripped-down affair — not much in the way of electronics, but some of their catchiest songs ever. And it's sung entirely in Welsh. Initial pressings came with a second CD's worth of songs (also all in Welsh) that was nearly as good.

MP3Ymaelodi Â'r Ymylon
MP3Dacw Hi

AislerssetThe Aislers SetThe Last Match (Slumberland, June 2000)
With Henry's Dress and, later, The Aislers Set, Amy Linton was the sound of Slumberland Records in the '90s and early '00s, and has proved highly influential on the label's new crop of bands. Listen to "The Way to Market Station" and you can building blocks of Crystal Stilts sound.  There's a timeless quality it, and I have little doubt it will still sound awesome in 2020.

MP3:The Way to Market Station
MP3: Been Hiding


 
GobetweensThe Go-Betweens
The Friends of Rachel Worth (JetSet, Sept 2000)
Nearly all reunions are worthless, just "we're in it for the money" affairs with new albums merely made to give excuses to tour and play the hits to an aging fan-base. But there was a chemistry between Grant McLennan and Robert Forster, even though they wrote separately, that could never be replicated with solo material. So this understated album, recorded 13 years after their last album — with Sleater Kinney as their backing band — it's doesn't just not suck, it was the best they ever made.

MP3: Surfing Magazines
MP3: Going Blind

Cinerama CineramaDisco Volante (Scopitones, Sept 2000)
David Gedge formed Cinerama as a side project with his then-girlfriend as perhaps wrist relief from The Wedding Present. It wasn't until the band's second album that Cinerama found it's sound: indie rock meets Ennio Morricone. (Lyrically, Gedge only does one thing — endless variations of romantic entanglements.) Disco Volante ties TWP's Seamonsters (both recorded with Steve Albini) as the best record he ever made.

MP3: Your Charms
MP3: Superman
 

Tfc Teenage FanclubHowdy! (Sony UK, Oct 2000)
Scotland's Teenage Fanclub have never broken any ground, musically, but they are remarkably consistent songwriters. I'm not sure that this album is that different than the one before or since but this is the one I tend to come back to a lot. Stick-in-your-head melodies, great harmonies, and really nice arrangements this time. They've mellowed out by this point and it fits them like a favorite sweater. This one barely got released in America.

MP3: I Need Direction
MP3:
Accidental Life

 

Oranger Oranger The Quiet Vibrationland (Amazing Grease, December 2000)
Underrated band from San Francisco, not unlike Teenage Fanclub in that they're clearly enamored with '60s sunshine pop. But Oranger will always a little louder, a little more raucous with a drummer who loved to go apeshit Keith Moon-style. (And appropriately, the album's title comes from Tommy.) Hands down their best record, The Quiet Vibrationland still sounds swell ten years later. Apparently they're still together, though somewhat dormant now.

MP3: Suddenly Upside Down
MP3:
 
Stoney Curtis in Reverse

Tsool The Soundtrack of Our Lives Behind the Music (Telegram, Feb 2001)
There's a lot of '60s psych inspired bands on my list, and TSOOL were like a greatest hits of the era all rolled into one nonstop Swedish Rock Machine and one of the decade's most amazing live bands. 2001's Behind the Music was their third record, the first to get recognition in the States, though it wouldn't get released till mid-2002. Sure, you can dissect the songs into its borrowed elements but why spoil the fun when tracks like "Sister Surround," "21st Century Ripoff," "Keep the Line Movin'," and "Nevermore" sound so great cranked all the way up. 

MP3: Sister Surround
MP3:
 
Independent Luxury

Spoon Spoon Girls Can Tell (Merge, Feb 2001)
You could make a pretty good case for Spoon being Artist of the Decade, a band who made great records all through the '00s. Pretty amazing for a band whose first album is so unremarkable. Maybe like Radiohead, it just took Spoon a bit to figure out what they wanted to be. By Girls Can Tell, they'd figured out that almost minimalist sound, where you hear every instrument clearly. I know a lot of people prefer 2003's Kill the Moonlight, but it's this one that proved A Series of Sneaks was no fluke and grabbed me the most… and still does.

MP3: Anything You Want
MP3: Fitted Shirt
 

Pernice Pernice BrothersThe World Won't End (Ashmont, June 2001)
This is clearly the work of someone raised on '70s AM radio pop before having their worldview (and sense of humor) informed by gloomy '80s Brit haircut music. Meet The Pernice brothers, a band who have t-shirts that say "I Hate My Life." The World Won't End (pretty sure the album's title is not meant to be a good thing.) is a gorgeous mix of those two worlds, with Joe Pernice's honeyed, weary vocals (and the swooning string arrangements) the icing on the cake. All the Pernice Brothers albums are good, but The World Won't End is the classic.

MP3: Working Girls (Sunlight Shines)
MP3:
 Let That Show

Amanset American Analog SetKnow By Heart (Tigerstyle, Sept 2001)
Warm yet chilly, lovely yet sinister, American Analog set on Know By Heart made music that seems to have come from that space between waking and sleep. Like the Austin neighbors Spoon, this is spare music, but methodically put together… and will haunt you like a half-remembered dream. AmAnSet never bettered Know By Heart.

MP3: Punk as Fuck
MP3: The Kindness of Strangers

Notwist The Notwist Neon Golden (City Slang, Feb 2002)
Incorporating the glitchy sound of of the then-current laptop scene, long-running German band The Notwist finally got America to take notice with Neon Golden. Rightly so. Digital manipulation is as evident here as it is on Cher's "Believe" but the Notwist make it sound as organic as blood coursing through veins. It hasn't dated one bit.

MP3: Pilot
MP3: One with the Freaks

Edwyn Edwyn CollinsDoctor Syntax (Setanta, April, 2002)
Before being sidelined by a stroke in 1995, Edwyn Collins was an in-demand producer when not working on solo material. 2002's Doctor Syntax (unreleased in America) might be his best album, slinky funk with a wicked mean streak, mostly aimed at the record industry. The production is brilliant. You could imagine couple of the songs here — "Johnny Teardrop" and "20 Years Too Late" —  reworked to be hits for Beyonce or Girls Aloud. 

MP3: 20 Years Too Late
MP3: It's a Funny Thing 

Bss Broken Social SceneYou Forgot it In People (Paper Bag, Oct 2002)
The start of the new Canadian Invasion, though Toronto never developed into an actual scene the way Montreal did. Seeing Broken Social Scene at Mercury Lounge summer of 2003 was kind of a revelation. Most American bands didn't try this hard, or have this many members. It helped that they were touring for an album as great as this, that echoed the '80s and '90s but fresh and new.

MP3: Cause = Time
MP3Anthems for a Seventeen Year-Old Girl
 

Dears The DearsNo Cities Left (MapleMusic, April 2003)
Let's set this straight. Dears frontman Murray Lightburn does NOT sound like Morrissey. Damon Albarn, I can hear that, but not really the Moz. And Lightburn has bigger aspirations, anyway, on No Cities Left, an epic album in every way that might collapse under all the bombast and melodrama if the songs weren't so damn good. And their shows around the time, they were one of the best live bands in North America. One thing Lightburn and Moz do have in common: not getting any enough credit for their sense of humor. 

MP3: Lost in the Plot
MP3: 22: the Death of All the Romance

Radiodept Radio Dept. Lesser Matters (Labrador/Shelflife, March 2003)
Here's a record that I still can't quite put my finger on why it's so good. It was like the sum of everything I loved in the late '80s and early '90s, as played and recorded on shitty equipment. The enigmatic nature of the band helped too, and you could be convinced that the tapes for this album were discovered by accident while cleaning out someone's basement. 

MP3: Why Won't You Talk About It?
MP3: Ewan
 

Newporno New PornographersThe Electric Version (Merge, May 2003)
Canadian Invasion, West Coast Division. I know the tastemakers say their debut, Mass Romantic, is the end-all be-all. But for my dollar, The Electric Version does it better and catchier. Carl Newman and Dan Bejar' songwriting had grown even more confident… and the hooks are undeniable. 

MP3: From Blown Speakers
MP3: Chump Change
 

 

Ulrich Ulrich SchnaussA Strangely Isolated Place (Domino, May 2003)
Laptop shoegaze, beautiful and hypnotic like Slowdive and Cocteau Twins, which are the obvious and admitted influences here. Perhaps my favorite sleeping album of all time, it's also good for walking around the city, road trips and doing the dishes. Dancing, not so much.

MP3: On My Own
MP3: Monday
 

Komeda

Komeda Kokomemedada (Sonet/Minty Fresh June 2003)
Like Stereolab's zany Swedish cousins, Komeda always swung a little too kitsch/novelty for my tastes on their first album so I checked out until hearing Kokomemedada, and my opinion changed immediately. Komeda stayed playful but became more sophisticated about the songwriting, sort of Krautrock with a personality and sense of humor. Also, ridiculously catchy stuff. 1998's What Makes it Go? is pretty great too.


MP3: Blossom
MP3: Victory Lane

Darkness The DarknessPermission to Land (WEA, July 2003)
No, I'm not kidding. At the time, debates raged — RAGED — about whether The Darkness was serious or not. Well, clearly you don't wear spandex cat suits, sing in a Tiny Tim falsetto and write a love song to a genital wart ("Growing On Me") and not understand irony, but it was clear singer/guitarist/songwriter Justin Hawkins loves this stuff. Part Thin Lizzy riff rock boogie, part Queen flamboyance, Permission to Land is all hits, start to finish. (If you can get past Justin Hawkins' falsetto.) And some of the most inspired, melodically-driven guitar solos (some songs have three) on any album of the last 20 years. Plus "Friday Night" which could almost be a Pulp song. And hilariously insane videos (especially "Growing on Me".) It all went up Hawkins' nose on the overblown second album, but Permission to Land is brilliant.

MP3: Growing on Me
MP3
Friday Night

Bs Belle & SebastianDear Catastrophe Waitress (Rough Trade, Oct 2003)
Who'd have thought having Trevor Horn, producer of some of the most bombastic records of the last 30 years, work with twee royalty Belle & Sebastian would be a good idea, let alone a brilliant one. Instead of turning them into Seal (or taTu) he focused the band back to their stong suit: Stuart Murdoch. Where B&S's three previous records had been democratic to a giant fault, letting everyone in the band contribute songs, Dear Catastrophe Waitress was almost entirely written by Murdoch who was up to the task, branching out from his VU safety zone into glam and new wave territory. Their best record since If You're Feeling Sinister and a terrific return to form, that would continue through the rest of the '00s. (Also seek out the 2004 b-side "Your Cover's Blown," one of their best, most ambitious songs ever.)

MP3: I'm a Cuckoo
MP3: Stay Loose
 

LomaxLomax A Symbol of Modern Living (93 Records, Nov 2003)
Of all the bands aping Gang of Four's postpunk in the early '00s (and there were tons of them) Lomax came the closest to feeling like the real thing — the anger, the aggression, the politics. And almost nobody heard this record, which is strange in some ways Lomax's frontman was Paul Epworth, who ended up producing some of the most hyped bands doing nearly the same thing (Rapture, Futureheads, Bloc Party…). Maybe because this record was never shoved down my throat is why I still listen to it.

MP3: Brought to Rights
MP3: Modern Life
 

MoonbabiesMoonbabies The Orange Billboard (Hidden Agenda, Jan 2004)
Sparkling pop music with lovely boy-girl harmonies, chiming guitars and a twinkle of electronics. It's just a lovely lovely record that got almost no attention at all at the time, though that changed somewhat when Moonbabies ended up on one of the Grey's Anatomy soundtracks. This is the musical equivalent to what I imagine Sweden to be like in the Springtime. Defintely one of the '00s unheard gems.

MP3: Sun A.M.
MP3: Forever Changes Everything Now

ThefallThe FallReal New Fall LP (aka Country on the Click) (Action/Narnack, March 2004)
Though 2000's The Unutterable contains perhaps my favorite Fall song of this decade ("Dr. Buck's Letter") I have to give the edge Real New Fall LP for overall quality. Coming off of one of The Fall's worst album's ever (Are You Missing Winner), Mark E. Smith rallied with a tight new band, a focused outlook and generally seeming fairly with it. This was the last great Fall album, though I have no doubt M.E.S. will deliver another to us soon. An album on Domino (a good sign) is due in January 2010.

MP3: Green Eyed Loco Man
MP3: Mountain Energi

Scissorsisters The Scissor SistersS/T (Universal, July 2004)
Originally part of the shortlived electroclash scene, Scissor Sisters frontman Jake Shears envisioned that extended further than Grand Street in Williamsburg. Their debut album (reportedly recorded in Shears' apartment) is the best bits of 1976 that weren't punk: glam, glitter, and disco. An ode to the fading flame that was the NYC nightlife scene, Scissor Sisters debut has a staggering number of phenomenal songs. Like the Darkness album, it's almost all hits. "Take Your Mama Out" and their Gibb-i-fied take on "Comfortably Numb" may have been the showpieces, it's ballads "Mary" and the stunning "Return to Oz" are the showstoppers.

MP3: Mary

Rakes The RakesCapture/Release (V2, Aug 2005)
In a sea of similar bands to pop up in Franz Ferdinand's wake, The Rakes were the best because they had personality and a point of view thanks to spazzy singer Alan Donahoe. They actually sang about something. "Everything's temporary these days/Might as well go out for the fifth night in a row" — still relevant! Capture/Release's tales of urban 20-something ennui still hold up. Donahoe's a Jarvis Cocker in the waiting, hopefully he won't give up music following The Rakes recent split. 

MP3: Retreat 
MP3:
 22 Grand Job

Elbow ElbowLeaders of the Free World (V2, Sept 2005)
My top album of 2005. Gorgeous melodies, inventive arrangements and musicianship, and some of the most heartfelt (without treacle) lyrics around. And Guy Garvey's amazing voice on top of it all. Elbow finally got some well deserved recognition (and the Mercury Prize) for 2008's Seldom Seen Kid, but this album is better.

MP3: Mexican Standoff

Hotchip Hot ChipThe Warning (DFA, June 2006)
My top album of 2006 and they have yet to better it. (That could change when One Life Stand comes out, we'll see.) "Over and Over" has been played to death, but you know it still sounds great, as does the rest of this album. It’s the sound of real live people playing – not programming – synthesizers, and that human element shines through.

MP3: No Fit State
MP3: Look After Me

SloanSloan Never Hear the End of It (MurderRecords, Sept 2006)
One of my favorite bands of the last 20 years, Sloan had a rough start to the decade trying to grab the brass ring. (The Canadian brass ring at least.) For Never Hear the End of It, they went back to doing what they do best – being themselves. The result was their best album in years; a sprawling, beautiful mess of 30 interwoven songs that never gets boring.

MP3: Fading into Obscurity
MP3: Blackout

 

Electrelane Electrelane No Shouts, No Calls (Too Pure, March 2007)
There is nothing you could call new or groundbreaking about Electrelane's final album. It's a sound echoing of the Velvets, the Pastels, and many other indie touchstones. But they just do it so well, with lyrics so sad and romantic this time, and for whatever reason No Shouts, No Calls really stuck with me. It's kind of perfect. I wish they'd change their mind and get back together.

MP3: To the East
MP3: Saturday

 

MetronomyMetronomyNights Out (Because Music, Sept 2008)
My top album of '08 and it still holds up a year later. Metronomy have a distinct sound that is instantly recognizable whether it's their own tracks or the remixes they do for other artists. It's manic, with a water-damaged quality to it that sounds like what it feels to be up for 36 hours straight, buzzing on espressos (or whatever) but dead tired. In a good way, obviously. It still sounds like nothing else. Metronomy are now a four piece, with a drummer and new bassist, so who knows what 2010 will bring for them, but I can't wait to find out.

MP3: A Thing for Me
MP3: Heartbreaker
 

Setting the Tone

Dirtysexymoney01It’s about as deep as a petri dish, but I must admit I’m liking Dirty Sexy Money. Simultaneously glamorizing wealth but sticking it to the rich — it’s my kind of show. The cast is pretty great, with Donald Sutherland obviously having a blast as the Darling family patriarch, and Peter Krause is great as the put-upon, good guy lawyer (that’s how awful this family is, they can have a lawyer be the only person you sympathize with) thrown into the deep end with these well-off buffoons. Tonight’s episode went disappointingly soft at the end, though I guess it can’t be all lions, trannies and murder. It’s a lot more fun than the somewhat similar Gossip Girl.

But the icing on the cake tonight was one of the most unexpected songs in a network TV show I’ve ever seen. Right after the title card, The unmistakable riff from The Fall‘s awesome 1985 single "Cruiser’s Creek" comes blaring out of the speakers and plays through an entire scene. Any show can throw in Peter Bjorn & John. The Fall shows class.

MP3The Fall – Crusier’s Creek