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	<title>SOUND BITES &#187; Big Audio Dynamite</title>
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		<title>Up in Your Grill: Summer Fridays 3.3</title>
		<link>http://soundbitesnyc.com/2010/06/summer-fridays-33/</link>
		<comments>http://soundbitesnyc.com/2010/06/summer-fridays-33/#comments</comments>
		<pubDate>Fri, 11 Jun 2010 09:01:00 +0000</pubDate>
		<dc:creator>Bill</dc:creator>
				<category><![CDATA[Big Audio Dynamite]]></category>
		<category><![CDATA[Can]]></category>
		<category><![CDATA[CFCF]]></category>
		<category><![CDATA[Edwin Collins]]></category>
		<category><![CDATA[Field Music]]></category>
		<category><![CDATA[Grace Jones]]></category>
		<category><![CDATA[Grovesnor]]></category>
		<category><![CDATA[Heaven 17]]></category>
		<category><![CDATA[LCD Soundsystem]]></category>
		<category><![CDATA[mixes]]></category>
		<category><![CDATA[No Kids]]></category>
		<category><![CDATA[OMD]]></category>
		<category><![CDATA[Orchester Werner Mueller]]></category>
		<category><![CDATA[Soft Moon]]></category>
		<category><![CDATA[Summer Fridays]]></category>
		<category><![CDATA[Summer Fridays 2010]]></category>
		<category><![CDATA[The Hundred in the Hands]]></category>
		<category><![CDATA[WhoMadeWho]]></category>

		<guid isPermaLink="false">http://soundbitesnyc.com/?p=62</guid>
		<description><![CDATA[Usually when I make these mixes, I&#39;m either making the artwork the night before they&#39;re supposed to go up or waiting on whichever friend I&#39;ve conned into doing the artwork for me. Either way, the actual mix is done. Not so this time. My friend Greg&#0160;sent this to me last week and I built the [...]]]></description>
				<content:encoded><![CDATA[<p>
<a href="http://soundbites.typepad.com/.a/6a00d8341c81bd53ef0134837dd7a6970c-pi" style="display: inline;"><img alt="SF3.3_sm" border="0" class="asset asset-image at-xid-6a00d8341c81bd53ef0134837dd7a6970c " src="http://soundbites.typepad.com/.a/6a00d8341c81bd53ef0134837dd7a6970c-800wi" title="The Weber 1200" /></a> <br />Usually when I make these mixes, I&#39;m either making the artwork the night before they&#39;re supposed to go up or waiting on whichever friend I&#39;ve conned into doing the artwork for me. Either way, the actual mix is done. Not so this time. My friend <a href="http://www.bigfatgm.com/portfolio.html">Greg</a>&#0160;sent this to me last week and I built the mix around it. Pretty killer art, I think, clever, and not only screams Summer Fridays but also Sound Bites&#39; food-and-music modus&#0160;operandi. Definitely one of my favorite covers ever and a call for future mix cover&#0160;designers&#0160;to step up their game. This one&#39;s definitely on the dancey side, perfect for your next BBQ disco.</p>
<p><a href="http://www.mediafire.com/?eg1lmtthzga"><strong>DOWNLOAD SUMMER FRIDAYS 3.3</strong></a></p>
<p>TRACKLISTING:</p>
</p>
<ol>
<li><strong>Orchestral Manoeuvres in the Dark</strong> &#8211; So In Love</li>
<li><strong>LCD Soundsystem</strong> &#8211; I Can Change</li>
<li><strong>WhoMadeWho</strong> &#8211; Keep Me in My Plane</li>
<li><strong>Big Audio Dynamite</strong> &#8211; Hollywood Blvd</li>
<li><strong>Can </strong>- I&#39;m So Green</li>
<li><strong>Field Music</strong> &#8211; Let&#39;s Write a Book</li>
<li><strong>The Hundred in the Hands</strong> &#8211; Sleepwalking</li>
<li><strong>Soft Moon</strong> &#8211; Breathe the Fire</li>
<li><strong>Grace Jones</strong> &#8211; She&#39;s Lost Control</li>
<li><strong>Heaven 17</strong> &#8211; (We Don&#39;t Need This) Fascist Groove Thang</li>
<li><strong>Grovesnor </strong>- Taxi from the Airport</li>
<li><strong>No Kids</strong> &#8211; I Want to Be Around</li>
<li><strong>CFCF</strong> &#8211; Half Dreaming</li>
<li><strong>Edwyn Collins</strong> &#8211; 20 Years Too Late</li>
<li><strong>Orchester Werner Muelle</strong>r &#8211; Bodybuilding</li>
</ol>
<p>And here&#39;s where I remind you about no shuffling. The songs are mixed together, despite being separate tracks, blah blah blah. Liner notes after the jump.</p>
</p>
<p><span id="more-62"></span><br />
<br /><strong>Orchestral Manoeuvres in the Dark &#8211; So In Love</strong><br />OMD were one of the best synthpop bands of the &#39;80s, in no small part to keeping an acoustic rhythm section driving things when other bands let sequencers do everything. From their best album, Crush, this was a pretty big hit in America (#27 on the Hot 100) and was my first introduction to the band. It might still be my favorite song of theirs. The classic line-up has reformed and will be releasing a new album in September.
<p><strong>LCD Soundsystem &#8211; I Can Change</strong><br />James Murphy doesn&#39;t even try to hide his influences &#8212; this is Eurythmics&#39; &quot;Love is a Stranger&quot; with some major Gary Numan going on &#8212; but that has never stopped LCD from being great in their own right. You might be sick of this song already&#8230; but it sounds sooo good.&#0160;</p>
<p><strong>WhoMadeWho &#8211; Keep Me in My Plane</strong><br /><span>There&#39;s a definite DFA vibe with this Danish trio who are maybe that country&#39;s version of LCD. I&#39;ve decided Denmark has to be the hippest country in the world, an entire nation of Williamsburg. Whether that&#39;s good or bad I don&#39;t know, but I&#39;ve never seen a badly dressed Dane. Or even an average dressed one. They are cool. They are weird. Definitely applies to Who Made Who, who are also a super-fun live band who&#39;re playing Mercury Lounge on June 28 and you really shouldn&#39;t miss it.</span></p>
<p><strong>Big Audio Dynamite &#8211; Hollywood Blvd</strong><br /><span>I love the original lineup of BAD, when Don Letts was in the band, and I&#39;m pretty sure No. 10 Upping St is their best album. Joe Strummer co-produced and cowrote a lot of the album. Though not this song, which is a Jones/Letts number, and is basically a tabloid account of an imaginary party populated with some of famed hedonistic scenesters of the last 20 years. This is a rare, early version of the song with some samples from My Favorite Year that are no longer on current versions of the album. &quot;If I were <em>truly</em> plastered, could I do this?&quot;</span></p>
<p><strong>Can &#8211; I&#39;m So Green</strong><br /><span>It is an understatement that Can were crazy ahead of their time and you can hear their influence in so much music of the last 30 years. I think it&#39;s unfair to call them Krautrock as they had such a loosey-goosey vibe to their grooves. This is the origin of stoner dancerock and still sounds amazing. Clearly.&#0160;</span></p>
<p><strong>Field Music &#8211; Let&#39;s Write a Book</strong><br />You can hear Can&#39;s influence on this song from Field Music&#39;s new album, Measure. In the rhythms, not so much the melody or vocal arrangements which are pure Brewis Brothers. This is their new single, hoping their will be remixes.</p>
<p><strong>The Hundred in the Hands &#8211; Sleepwalking</strong><br /><span>And we&#39;ve entered the dark section of the mix with this track from THITH&#39;s new EP, <em>This Desert</em>, which is pretty good especially if you dig School of Seven Bells or were a fan of Curve back in the &#39;90s. This duo are a little sleeker than that, but they make quite a lovely swirl all their own.</span></p>
<p><strong>Soft Moon &#8211; Breathe the Fire</strong><br />Don&#39;t know much about this band whose single is out now on Captured Tracks, a label that has been on fire recently what with Wild Nothing and Beach Fossils and Wetdog. Soft Moon skew more to that classic C/T sound (meaning last year), gothy and affected, but this has a great propulsive groove (and whispered vocals) that would be perfect for the soundtrack of Neuromancer if they ever made a movie out of that.&#0160;</p>
<p><strong>Grace Jones &#8211; She&#39;s Lost Control</strong><br /><span>Will this, a dub reggae cover of Joy Division, kill the mix for some? No way, it&#39;s AWESOME. (Though I did do an edit to shorten it slightly.) Produced by Island Records domo Chris Blackwell, fueled by dub pioneers Sly &amp; Robbie, this was the B-side to her single &quot;Private Life&quot; and was recorded during the <em>Warm Leatherette</em> sessions during that period between being Queen of Gay Disco and her Film Career. By the way, if you&#39;ve never heard her cover of The Normal&#39;s JG Ballard-inspired &quot;Warm Leatherette&quot;&#8230;seek it out.&#0160;</span></p>
<p><strong>Heaven 17 &#8211; (We Don&#39;t Need This) Fascist Groove Thang</strong><br /><span>Martin Ware and Craig Marsh left The Human League because they felt the band was getting too pop, they started Heaven 17 (a Clockwork Orange reference you may know) as a high-concept avant pop &#39;corporation&quot; that rivaled ZZT for having the best, most arch, packaging. Like a lot of this stuff, it eventually devolved into MOR chart fodder but they started brilliantly with this, their first single. The bassline is insane, almost &#8212; but not quite &#8212; out of control bass-off stuff, but what a killer track.</span></p>
<p><strong>Grovesnor &#8211; Taxi from the Airport</strong><br />Part of the new Soft Rock Revolution this is Grovesnor&#39;s second appearance on a Summer Fridays mix. This song feels like New York at 2AM, lens fogged up and neon halos. It kind of sounds like Joe Jackson&#39;s &quot;Stepping Out&quot; as well.&#0160;</p>
<p><strong>No Kids &#8211; I Want to Be Around</strong><br />Thanks to my friend Toby at Finest Kiss for <a href="http://finestkiss.wordpress.com/2010/05/27/no-kidding/">turning me onto this</a>, another project from Canadian pop svengali Nick Krgovich who gave us the lovely orch pop that was Gigi&#39;s <em>Maintenant </em>earlier this year. This is more soft rock sexy funk, with a killer horn section, perfect gettin&#39; it on music for the cardigan set.</p>
<p><strong>CFCF &#8211; Half Dreaming</strong><br />Michael Silver&#39;s full-length debut is an impressive disc of instrumental, yet highly melodic dance music without even a trace of &quot;glo-fi.&quot; (Though there&#39;s definitely some Balearic in there.) You may find yourself singing overtop of this effervescent track.</p>
<p><strong>Edwyn Collins &#8211; 20 Years Too Late</strong><br /><span>From 2001&#39;s Doctor Syntax, the last solo album the former Orange Juice singer completed before suffering a stroke in 2005. I think he had (has) a career producing dance acts, as this tune proves. The groove is seriously badass &#8212; the slighty fuzzy bass, the Chic rhythm guitar &#8212; and makes up for any Scottish rapping the song may contain. Edwyn&#39;s new album (his second post-stroke) is in the can and am hoping it shows a little of this fire.</span></p>
<p><strong>Orchester Werner Mueller &#8211; Bodybuilding</strong><br /><span>&quot;He&#39;s an idiot.&quot; I have no idea what is going on in this song, which I have on this weird/cool German lounge music compilation called The In-Kraut. I have a lot of weird compilations like this: French new wave, German disco, junkshop glam, sunshine pop, forgotten post punk, tribute albums, etc. They come in handy more often than you might think. EDIT: My friend Teva reminds me that this track was sampled by late &#39;90s </span><a href="http://en.wikipedia.org/wiki/Big_Beat">&quot;big beat&quot;</a><span> outfit </span><a href="http://www.myspace.com/bentleyrhythmace">Bentley Rhythm Ace</a><span> on their single </span><a href="http://www.youtube.com/watch?v=3IWl77o3l50">&quot;Bentleys Gonna Sort You Out!&quot;</a><span> I knew this song sounded familiar.</span></p></p>
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