So Not the Best of the ’00s

 Oh, the list of Best of 00s TV I could write!
What a decade, huh? This one's notable as having been spent entirely in NYC, and entirely of the digital age which changed the way everybody listened to music. (Maybe not my parents but everyone else.) We had more access to everything, and less to to spend with it. That said, there was no shortage of good music, though I don't think anything hit me quite as hard as the previous decade — partly due to age, party due to aforementioned information overload. There's nothing from this year, as I feel it's too close to really tell how a record is gonna hold up over time, and only a couple from the last four years. (Though in 1999 I knew The Soft Bulletin and Mos Def's Black on Both Sides were among the decade's best and that's not changed. Different Times.) There's also way more from 2000 than I woulda thought before I spent the last month trying to figure out this list. 

PLEASE NOTE: This is not a Best of the '00s, because lists like that have to include Important Albums, Influential Albums and the like. I listened to Radiohead, Interpol, Franz Ferdinand, Arcade Fire, The Knife, The Strokes, Phoenix and whoever like everyone else. (I also listened to Louis XIV and Hot Hot Heat.) But, for the most part, these are a little more buried treasure-ish. I think the records that didn't get played to death in public are the ones you come back to the most. These are mine, in chronological order.
 

Sfa Super Furry Animals - Mwng (Placid Casual, May 2000)
Radiohead Schmadiohead. From 1995 to 2005, no band expanded the boundaries of guitar rock while remaining what you could call "commercially viable" than Super Furry Animals. Released in early 2000, less than a year after their last album (1999's Guerrilla) and the height of their creative peak, Mwng might be my all-time favorite SFA album, a relatively stripped-down affair — not much in the way of electronics, but some of their catchiest songs ever. And it's sung entirely in Welsh. Initial pressings came with a second CD's worth of songs (also all in Welsh) that was nearly as good.

MP3Ymaelodi Â'r Ymylon
MP3Dacw Hi

AislerssetThe Aislers SetThe Last Match (Slumberland, June 2000)
With Henry's Dress and, later, The Aislers Set, Amy Linton was the sound of Slumberland Records in the '90s and early '00s, and has proved highly influential on the label's new crop of bands. Listen to "The Way to Market Station" and you can building blocks of Crystal Stilts sound.  There's a timeless quality it, and I have little doubt it will still sound awesome in 2020.

MP3:The Way to Market Station
MP3: Been Hiding


 
GobetweensThe Go-Betweens
The Friends of Rachel Worth (JetSet, Sept 2000)
Nearly all reunions are worthless, just "we're in it for the money" affairs with new albums merely made to give excuses to tour and play the hits to an aging fan-base. But there was a chemistry between Grant McLennan and Robert Forster, even though they wrote separately, that could never be replicated with solo material. So this understated album, recorded 13 years after their last album — with Sleater Kinney as their backing band — it's doesn't just not suck, it was the best they ever made.

MP3: Surfing Magazines
MP3: Going Blind

Cinerama CineramaDisco Volante (Scopitones, Sept 2000)
David Gedge formed Cinerama as a side project with his then-girlfriend as perhaps wrist relief from The Wedding Present. It wasn't until the band's second album that Cinerama found it's sound: indie rock meets Ennio Morricone. (Lyrically, Gedge only does one thing — endless variations of romantic entanglements.) Disco Volante ties TWP's Seamonsters (both recorded with Steve Albini) as the best record he ever made.

MP3: Your Charms
MP3: Superman
 

Tfc Teenage FanclubHowdy! (Sony UK, Oct 2000)
Scotland's Teenage Fanclub have never broken any ground, musically, but they are remarkably consistent songwriters. I'm not sure that this album is that different than the one before or since but this is the one I tend to come back to a lot. Stick-in-your-head melodies, great harmonies, and really nice arrangements this time. They've mellowed out by this point and it fits them like a favorite sweater. This one barely got released in America.

MP3: I Need Direction
MP3:
Accidental Life

 

Oranger Oranger The Quiet Vibrationland (Amazing Grease, December 2000)
Underrated band from San Francisco, not unlike Teenage Fanclub in that they're clearly enamored with '60s sunshine pop. But Oranger will always a little louder, a little more raucous with a drummer who loved to go apeshit Keith Moon-style. (And appropriately, the album's title comes from Tommy.) Hands down their best record, The Quiet Vibrationland still sounds swell ten years later. Apparently they're still together, though somewhat dormant now.

MP3: Suddenly Upside Down
MP3:
 
Stoney Curtis in Reverse

Tsool The Soundtrack of Our Lives Behind the Music (Telegram, Feb 2001)
There's a lot of '60s psych inspired bands on my list, and TSOOL were like a greatest hits of the era all rolled into one nonstop Swedish Rock Machine and one of the decade's most amazing live bands. 2001's Behind the Music was their third record, the first to get recognition in the States, though it wouldn't get released till mid-2002. Sure, you can dissect the songs into its borrowed elements but why spoil the fun when tracks like "Sister Surround," "21st Century Ripoff," "Keep the Line Movin'," and "Nevermore" sound so great cranked all the way up. 

MP3: Sister Surround
MP3:
 
Independent Luxury

Spoon Spoon Girls Can Tell (Merge, Feb 2001)
You could make a pretty good case for Spoon being Artist of the Decade, a band who made great records all through the '00s. Pretty amazing for a band whose first album is so unremarkable. Maybe like Radiohead, it just took Spoon a bit to figure out what they wanted to be. By Girls Can Tell, they'd figured out that almost minimalist sound, where you hear every instrument clearly. I know a lot of people prefer 2003's Kill the Moonlight, but it's this one that proved A Series of Sneaks was no fluke and grabbed me the most… and still does.

MP3: Anything You Want
MP3: Fitted Shirt
 

Pernice Pernice BrothersThe World Won't End (Ashmont, June 2001)
This is clearly the work of someone raised on '70s AM radio pop before having their worldview (and sense of humor) informed by gloomy '80s Brit haircut music. Meet The Pernice brothers, a band who have t-shirts that say "I Hate My Life." The World Won't End (pretty sure the album's title is not meant to be a good thing.) is a gorgeous mix of those two worlds, with Joe Pernice's honeyed, weary vocals (and the swooning string arrangements) the icing on the cake. All the Pernice Brothers albums are good, but The World Won't End is the classic.

MP3: Working Girls (Sunlight Shines)
MP3:
 Let That Show

Amanset American Analog SetKnow By Heart (Tigerstyle, Sept 2001)
Warm yet chilly, lovely yet sinister, American Analog set on Know By Heart made music that seems to have come from that space between waking and sleep. Like the Austin neighbors Spoon, this is spare music, but methodically put together… and will haunt you like a half-remembered dream. AmAnSet never bettered Know By Heart.

MP3: Punk as Fuck
MP3: The Kindness of Strangers

Notwist The Notwist Neon Golden (City Slang, Feb 2002)
Incorporating the glitchy sound of of the then-current laptop scene, long-running German band The Notwist finally got America to take notice with Neon Golden. Rightly so. Digital manipulation is as evident here as it is on Cher's "Believe" but the Notwist make it sound as organic as blood coursing through veins. It hasn't dated one bit.

MP3: Pilot
MP3: One with the Freaks

Edwyn Edwyn CollinsDoctor Syntax (Setanta, April, 2002)
Before being sidelined by a stroke in 1995, Edwyn Collins was an in-demand producer when not working on solo material. 2002's Doctor Syntax (unreleased in America) might be his best album, slinky funk with a wicked mean streak, mostly aimed at the record industry. The production is brilliant. You could imagine couple of the songs here — "Johnny Teardrop" and "20 Years Too Late" —  reworked to be hits for Beyonce or Girls Aloud. 

MP3: 20 Years Too Late
MP3: It's a Funny Thing 

Bss Broken Social SceneYou Forgot it In People (Paper Bag, Oct 2002)
The start of the new Canadian Invasion, though Toronto never developed into an actual scene the way Montreal did. Seeing Broken Social Scene at Mercury Lounge summer of 2003 was kind of a revelation. Most American bands didn't try this hard, or have this many members. It helped that they were touring for an album as great as this, that echoed the '80s and '90s but fresh and new.

MP3: Cause = Time
MP3Anthems for a Seventeen Year-Old Girl
 

Dears The DearsNo Cities Left (MapleMusic, April 2003)
Let's set this straight. Dears frontman Murray Lightburn does NOT sound like Morrissey. Damon Albarn, I can hear that, but not really the Moz. And Lightburn has bigger aspirations, anyway, on No Cities Left, an epic album in every way that might collapse under all the bombast and melodrama if the songs weren't so damn good. And their shows around the time, they were one of the best live bands in North America. One thing Lightburn and Moz do have in common: not getting any enough credit for their sense of humor. 

MP3: Lost in the Plot
MP3: 22: the Death of All the Romance

Radiodept Radio Dept. Lesser Matters (Labrador/Shelflife, March 2003)
Here's a record that I still can't quite put my finger on why it's so good. It was like the sum of everything I loved in the late '80s and early '90s, as played and recorded on shitty equipment. The enigmatic nature of the band helped too, and you could be convinced that the tapes for this album were discovered by accident while cleaning out someone's basement. 

MP3: Why Won't You Talk About It?
MP3: Ewan
 

Newporno New PornographersThe Electric Version (Merge, May 2003)
Canadian Invasion, West Coast Division. I know the tastemakers say their debut, Mass Romantic, is the end-all be-all. But for my dollar, The Electric Version does it better and catchier. Carl Newman and Dan Bejar' songwriting had grown even more confident… and the hooks are undeniable. 

MP3: From Blown Speakers
MP3: Chump Change
 

 

Ulrich Ulrich SchnaussA Strangely Isolated Place (Domino, May 2003)
Laptop shoegaze, beautiful and hypnotic like Slowdive and Cocteau Twins, which are the obvious and admitted influences here. Perhaps my favorite sleeping album of all time, it's also good for walking around the city, road trips and doing the dishes. Dancing, not so much.

MP3: On My Own
MP3: Monday
 

Komeda

Komeda Kokomemedada (Sonet/Minty Fresh June 2003)
Like Stereolab's zany Swedish cousins, Komeda always swung a little too kitsch/novelty for my tastes on their first album so I checked out until hearing Kokomemedada, and my opinion changed immediately. Komeda stayed playful but became more sophisticated about the songwriting, sort of Krautrock with a personality and sense of humor. Also, ridiculously catchy stuff. 1998's What Makes it Go? is pretty great too.


MP3: Blossom
MP3: Victory Lane

Darkness The DarknessPermission to Land (WEA, July 2003)
No, I'm not kidding. At the time, debates raged — RAGED — about whether The Darkness was serious or not. Well, clearly you don't wear spandex cat suits, sing in a Tiny Tim falsetto and write a love song to a genital wart ("Growing On Me") and not understand irony, but it was clear singer/guitarist/songwriter Justin Hawkins loves this stuff. Part Thin Lizzy riff rock boogie, part Queen flamboyance, Permission to Land is all hits, start to finish. (If you can get past Justin Hawkins' falsetto.) And some of the most inspired, melodically-driven guitar solos (some songs have three) on any album of the last 20 years. Plus "Friday Night" which could almost be a Pulp song. And hilariously insane videos (especially "Growing on Me".) It all went up Hawkins' nose on the overblown second album, but Permission to Land is brilliant.

MP3: Growing on Me
MP3
Friday Night

Bs Belle & SebastianDear Catastrophe Waitress (Rough Trade, Oct 2003)
Who'd have thought having Trevor Horn, producer of some of the most bombastic records of the last 30 years, work with twee royalty Belle & Sebastian would be a good idea, let alone a brilliant one. Instead of turning them into Seal (or taTu) he focused the band back to their stong suit: Stuart Murdoch. Where B&S's three previous records had been democratic to a giant fault, letting everyone in the band contribute songs, Dear Catastrophe Waitress was almost entirely written by Murdoch who was up to the task, branching out from his VU safety zone into glam and new wave territory. Their best record since If You're Feeling Sinister and a terrific return to form, that would continue through the rest of the '00s. (Also seek out the 2004 b-side "Your Cover's Blown," one of their best, most ambitious songs ever.)

MP3: I'm a Cuckoo
MP3: Stay Loose
 

LomaxLomax A Symbol of Modern Living (93 Records, Nov 2003)
Of all the bands aping Gang of Four's postpunk in the early '00s (and there were tons of them) Lomax came the closest to feeling like the real thing — the anger, the aggression, the politics. And almost nobody heard this record, which is strange in some ways Lomax's frontman was Paul Epworth, who ended up producing some of the most hyped bands doing nearly the same thing (Rapture, Futureheads, Bloc Party…). Maybe because this record was never shoved down my throat is why I still listen to it.

MP3: Brought to Rights
MP3: Modern Life
 

MoonbabiesMoonbabies The Orange Billboard (Hidden Agenda, Jan 2004)
Sparkling pop music with lovely boy-girl harmonies, chiming guitars and a twinkle of electronics. It's just a lovely lovely record that got almost no attention at all at the time, though that changed somewhat when Moonbabies ended up on one of the Grey's Anatomy soundtracks. This is the musical equivalent to what I imagine Sweden to be like in the Springtime. Defintely one of the '00s unheard gems.

MP3: Sun A.M.
MP3: Forever Changes Everything Now

ThefallThe FallReal New Fall LP (aka Country on the Click) (Action/Narnack, March 2004)
Though 2000's The Unutterable contains perhaps my favorite Fall song of this decade ("Dr. Buck's Letter") I have to give the edge Real New Fall LP for overall quality. Coming off of one of The Fall's worst album's ever (Are You Missing Winner), Mark E. Smith rallied with a tight new band, a focused outlook and generally seeming fairly with it. This was the last great Fall album, though I have no doubt M.E.S. will deliver another to us soon. An album on Domino (a good sign) is due in January 2010.

MP3: Green Eyed Loco Man
MP3: Mountain Energi

Scissorsisters The Scissor SistersS/T (Universal, July 2004)
Originally part of the shortlived electroclash scene, Scissor Sisters frontman Jake Shears envisioned that extended further than Grand Street in Williamsburg. Their debut album (reportedly recorded in Shears' apartment) is the best bits of 1976 that weren't punk: glam, glitter, and disco. An ode to the fading flame that was the NYC nightlife scene, Scissor Sisters debut has a staggering number of phenomenal songs. Like the Darkness album, it's almost all hits. "Take Your Mama Out" and their Gibb-i-fied take on "Comfortably Numb" may have been the showpieces, it's ballads "Mary" and the stunning "Return to Oz" are the showstoppers.

MP3: Mary

Rakes The RakesCapture/Release (V2, Aug 2005)
In a sea of similar bands to pop up in Franz Ferdinand's wake, The Rakes were the best because they had personality and a point of view thanks to spazzy singer Alan Donahoe. They actually sang about something. "Everything's temporary these days/Might as well go out for the fifth night in a row" — still relevant! Capture/Release's tales of urban 20-something ennui still hold up. Donahoe's a Jarvis Cocker in the waiting, hopefully he won't give up music following The Rakes recent split. 

MP3: Retreat 
MP3:
 22 Grand Job

Elbow ElbowLeaders of the Free World (V2, Sept 2005)
My top album of 2005. Gorgeous melodies, inventive arrangements and musicianship, and some of the most heartfelt (without treacle) lyrics around. And Guy Garvey's amazing voice on top of it all. Elbow finally got some well deserved recognition (and the Mercury Prize) for 2008's Seldom Seen Kid, but this album is better.

MP3: Mexican Standoff

Hotchip Hot ChipThe Warning (DFA, June 2006)
My top album of 2006 and they have yet to better it. (That could change when One Life Stand comes out, we'll see.) "Over and Over" has been played to death, but you know it still sounds great, as does the rest of this album. It’s the sound of real live people playing – not programming – synthesizers, and that human element shines through.

MP3: No Fit State
MP3: Look After Me

SloanSloan Never Hear the End of It (MurderRecords, Sept 2006)
One of my favorite bands of the last 20 years, Sloan had a rough start to the decade trying to grab the brass ring. (The Canadian brass ring at least.) For Never Hear the End of It, they went back to doing what they do best – being themselves. The result was their best album in years; a sprawling, beautiful mess of 30 interwoven songs that never gets boring.

MP3: Fading into Obscurity
MP3: Blackout

 

Electrelane Electrelane No Shouts, No Calls (Too Pure, March 2007)
There is nothing you could call new or groundbreaking about Electrelane's final album. It's a sound echoing of the Velvets, the Pastels, and many other indie touchstones. But they just do it so well, with lyrics so sad and romantic this time, and for whatever reason No Shouts, No Calls really stuck with me. It's kind of perfect. I wish they'd change their mind and get back together.

MP3: To the East
MP3: Saturday

 

MetronomyMetronomyNights Out (Because Music, Sept 2008)
My top album of '08 and it still holds up a year later. Metronomy have a distinct sound that is instantly recognizable whether it's their own tracks or the remixes they do for other artists. It's manic, with a water-damaged quality to it that sounds like what it feels to be up for 36 hours straight, buzzing on espressos (or whatever) but dead tired. In a good way, obviously. It still sounds like nothing else. Metronomy are now a four piece, with a drummer and new bassist, so who knows what 2010 will bring for them, but I can't wait to find out.

MP3: A Thing for Me
MP3: Heartbreaker
 

Sound Bites Best of 2008 | Albums

2008 was a great year for good music and a pretty good year for great music. I kept expanding my list from 20 to 25 to 30, and then back down to 20 (sort of). Deciding what would be my #10 took forever. (The top #9 have been there for a while, with the order shuffling around till seconds from this posting.) And actually my Top 5 were as close as they've been in ages. My rules: whatever year an album is first made available in any legally obtainable format (CD, vinyl, digital, etc), that is the year it's eligible. No compilations of previously-released material. So no MGMT (came out last year), no Bon Iver (wouldn't have made it anyway). Without further ado, my favorite albums of 2008:

01metronomy

1. MetronomyNights Out (Because Music) | A couple things take Nights Out to the top slot of '08. They've worked out a distinct sound that is instantly recognizable whether it's their own tracks or the remixes they do for other artists. It's manic, with a water-damaged quality to it that sounds like what it feels to be up for 36 hours straight, buzzing on espressos (or whatever) but dead tired. In a good way, obviously. It sounds like nothing else. Plus, whistling! Above all else, it's my favorite of the year because it's almost all hits. Nights Out contains at least seven single-worthy tracks and absolutely no bad songs. How many albums can you say that about this year? 

MP3: Heartbreaker | A Thing for Me

Myspace | Buy it on Amazon

02mysteryjets
2. Mystery Jets – Twenty One
(679 Recordings) | If you'd told me two years ago that Mystery Jets would make one of the best pop albums of 2008, I think I would've scoffed. Here was a band who claimed King Crimson to be a primary influence, and who never met 17 disparate musical ideas that they didn't like and want to put all into the same song. Not that they didn't have some good songs before but The Mystery Jets were just too damn inclusive. But there's no denying the pop smarts and inventive arrangements found all over their new album, Twenty One, a highly enjoyable statement about being young by people who actually are young. And like Metronomy, nearly every song could be a single. It seems unfathomable that this didn't get released in America.

MP3Young Love | Two Doors Down

Myspace | Buy It 

03deerhunter
3. Deerhunter – Microcastle / Wierd Era Continued
(Kranky / 4AD) | What a year Bradford Cox has had. Two Deerhunter albums, plus an album and six EPs under the Atlas Sound moniker. All of it good, some of it was amazing. Microcastle was the crowning achievement.  I liked Cryptograms but this is a stellar album, indie rock with a pop sensibility, and showcase for Cox's songwriting abilites and studio ingenuity. And that the suprise bonus album, Wierd Era, was nearly as good is all the more amazing. May 2009 be as fruitful for him.

MP3Deerhunter – Never Stops 

Myspace | Insound | Emusic

04crystalstilts
4. Crystal Stilts – Alight of Night
(Slumberland) | The band I became more obsessed with in 2008 than any other, probably because they gave me seemingly endless chances to see them live, most of which I took advantage of. (I think I saw them 10 times at least.) Somewhere between Bo Diddly, JAMC, and The Chills lie Crystal Stilts' moody, twangy, echo-drenched sound which is even sweeter on vinyl. So many great songs, and seemingly sprouted fully-formed. According to lore, Alight of Night has been sitting around completed for four years waiting to be released! Seriously guys what were you waiting for? On the plus side: hopefully this will mean a second album will come sooner than later. 

MP3Crystal Stilts – Departure 

Myspace | Buy it 

05twtw
5. The Week That Was – S/T (Memphis Industries) | Field Music may have disolved but the Brewis brothers remain some of the most creative  – and prolific — artists working today. 2008 provided twice as much music. David Brewis gave us School of Language, which was good but a bit too clinical for my taste. But Peter Brewis' The Week That Was is a brilliant look at our obsession with media and instant information, inspired by Paul Auster and glistening like an '80s Trevor Horn production. If that all sounds overly heady, the album is resplendent with lovely melodies and big rhythms. And with brother David and Andrew Moore in the band too, the big headline is Field Music kinda never really broke up.

MP3The Week That Was – The Airport Line 

MySpace | Buy It 

06muslims
6. The Muslims – S/T
(1928 Recordings) | They may be now calling themselves The Soft Pack, but whatever the name this is one hot record. Like I've said before, these San Diegans aren't trying to reinvent the wheel. But they write great songs, sound raw and alive  and have mountains of the one thing you can't fake: attitude. The bullet-riddled vinyl EP you see here (which included a CD with three more tracks) has sold out two runs but will be reissued under The Soft Pack name as a 10-song LP in 2009.

MP3:   The Muslims – On My Time 

MySpace | 1928 Recordings

07lykkeli
7. Lykke Li – Youth Novels
(Atlantic Records) | Of all the Scandinavian pop singers out there (Annie, Robyn, et al), I think Lykke Li has the best chance of sustaining a career. Especially if she continues to work with colaborator/producer Björn Yttling who helped her craft such a distictive organic sound to go along with all those catchy hooks. Li's voice — fragile, understated — makes Youth Novels all the more human.

MP3Lykke Li – Let It Fall 

MySpace | Buy It

08tvotr
8. TV on the Radio – Dear Science
(DGC) | Finally, TVotR deliver on the promise they made with that first EP back in 2003. Much like what The Associates, ABC, and Scritti Politti attempted in the mid-'80s, Dear Science is the post-punk asthetic applied to pop ideals. This is the sound of them really going for it — and succeeding spectacularly.

MP3TV on the Radio – Crying 

MySpace | Buy It

09lotp
9. Late of the Pier – Fantasy Black Channel (Parlophone) | The craziest record of the year that still manages to hold it together somewhat within pop boundaries. Within its grooves, Fantasy Black Channel offers up post punk guitars, synth pop, g-funk, glam hystrionics, prog… often wthin the same song. Take "Bathroom Gurgle" which melds Gary Numan and Queen like it was the most natural thing in the world. Just maybe not Earth.

Fantasy Black Channel gets a U.S. release through Astralwerks on January 13, 2009.

MP3: Late of the Pier – Heartbeat 

MySpace | Insound

10highdials
10. The High Dials – Moon Country
(self-released) | A late entry in the 2008 race, Montreal's High Dials exell at country-tinged psych-shoegaze (a sound that is timeless for me) and even though they no longer have a full-time sitar player, the songwriting remains top notch. This double-CD is only six minutes longer than thier 2005 album War of the Waking Phantoms but splitting it onto two discs makes it easier to take it all in. Plus, a sound this big kinda needs two discs. What it really needs is vinyl, but it's CDs and digital for now.

MP3: My Heart is Pinned to Your Sleeve | Invisible Choirs 

MySpace | Buy It

11 – 20, and more after the jump….

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Best of 2002 | Music

the 10 best albums of 2002 (no order)
hell has frozen over – there are no british bands on bill’s top ten list, but many of the americans (and canadians) found here are rocking in an english style. the rest of europe is well represented, though.

 
the soundtrack of our livesbehind the music (universal)
leave
it to the swedes. a little bit of the who, a Music dollup of the rolling
stones, a dash of spirit’s earth mother kookiness… you’ll swear this
is some lost classic from 1972. it rocks. it’s groovy. the lyrics are,
like, out there, man! the lead singer looks like dan haggerty as
a trappist monk, the rest of the band play like they’re taking their
finals Grants in Rock Moves 101. fifteen songs and all of them are excellent.

 

hot hot heatmake up the breakdown (sub pop)
did you hear?
1981 is the new black. most bands are just posers, rip-off artists, but
hot hot heat have absorbed the nervy sounds of gang of four, xtc, joe
jackson, dexy’s midnight runners, the cure, etc. and made it cheap nba jerseys their own. There are so many little parts on this record that are just perfect, right on.

 
flaming lipsyoshimi battles the pink robots (warner bros.)
this
is nowhere near as good as the flaming lips’ | 1999 masterwork, the soft
bulletin, this is still a fine record from one of the most interesting
bands around today. the four-song "concept" of the title that opens the
record doesn’t do much for me, but then wayne coyne and company turn on
their modern psychedelia and the rainbows flow from the speakers.

interpolturn on the bright lights (matador)
the
darker side of 1981 turns up on this NYC bands debut, steeped
chameleons, the smiths, comsat angels, joy division and, er, red lorry
yellow lorry. like HHH, interpol take their influences as a launching
point, not as something to copy exactly. a classic for kids who aren’t
happy, but don’t like their angst from the korns of the world that
sounds best really, really loud.

nada surfFidelity let go (heavenly uk)
i never got nada surf‘s
breakthrough hit, "popular," and dismissed them immediately after. but
i saw an acoustic performance earlier this year that really made me
re-evaluate them and then i got a copy of let go and wondered if they
had drastically become a much better band or if i just never gave them
a chance. either way, this is a great pop record and every song is a
winner. with everyone praising weezer, nada surf deserve a chance too. let go is currently import-only, but comes out on 2001| barsuk records in february.

lali puna – scary world theory (morr music)
this german group make chillout music in the vein of stereolab or broadcast, but lali puna‘s
seems more natural, organic, warm. scary world theory is just a lovely
album perfect for lazy sunday mornings or long drives in the car.
reccomended to anyone who digs the aformentioned bands, as well as
boards of canada and bjork’s last couple of records. beautiful and
delicate.

spoonkill the moonlight (merge)
spoon
used to be a bunch of pixies imitators but morphed into one of the
better American bands around, though they sound like they’re listening
to a lot of British stuff (bowie, t-rex, rod stewart and elvis costello
come to mind). the production is really stripped-down and you can hear
every instrument as clear as a bell. the hooks are undeniable: witness
the pop majesty of "Paper Tiger," "Someone Something" and "You Gotta
Feel It." Yet it totally rocks too and they do it all in 35 minutes.

fischerspooner#1 (ministry of sound)
i didn’t want to like this CD or this band, but there’s no denying it’s fun. fischerspooner
are probably the preiminent wholesale mlb jerseys "electroclash" band — i.e. NYC hipsters
who ape ’80s synth pop like gary numan, human league and the normal. oh
it’s so ironic! well, yes, but this album is ironic and good. some of
the lyrics are a little out-there and goofy, but there’s no doubt about
the ice-cool beats and retro-melodies. capitol is re-releasing this
next year, so you’re warned.

cornelius point (matador)
as
elaborate and amazing as this japanese band’s live shows are, listening
to their albums might be considered missing the,er, point. their last
american release, fantasma, was a greatest hits of their japanese CDs
and it felt like it. but there’s nothing disjointed about point.
in fact, try and pull this apart and it doesn’t work at all, you need
to listen to the whole thing, in order to really get it. it’s like
exploration and theories on a single groove. and it’s brilliant, in a
krautrock sort of way. but if you get a chance go see them wholesale jerseys live… it’s
mindblowing.

the also-rans: royksoppmelody a.m., n.e.r.d.in search of…, the soft boysnextdoorland, jurassic 5strength in numbers, dovesthe last broadcast, sugababesangels with dirty faces, the coralthe coral, the streetsoriginal pirate material, edwyn collinsdr. syntax, radio 4gotham!, clinicwalking Signage with thee, ed harcourthere be monsters, coldplaya rush of blood to the head, lunaromantica, david bowieheathen, queens of the stoneagesongs for the deaf, ashfree all angels, badly drawn boyhave you fed the fish?

 
singles of the year: sugababes – "freak like me," the rapture – "house of jealous lovers"
 
best record i forgot came out this year ’cause i had it last year (and classify it as so): wilcoyankee hotel foxtrot
 
biggest letdown: dj shadowthe private press; boards of canadageodaddi

best live act: the polyphonic spree; the soundtrack of our lives; wholesale nfl jerseys cornelius.

Best of 2001 | Music

Top ten of 2001

Albums
ShinsOh Inverted World Beautiful
melodies and even more beautiful words. Think the Zombies updated for
the 00s. The only record this year I felt a need to really spread the
word about.

Pernice BrothersThe World Won’t End In
a perfect world, you’d be hearing every song on this Best album on Top 40
radio. But since that won’t happen, they’ve 【画像】 mixed this as if it was.
Not since the Fountains of Wayne’s first album has there been pop this
perfect. Minus half a point for sounding too much like ELO a couple
times of the record.

StarsNightsongs Delicate tunes, sensitive lyrics and production that seems right off a Pet Shop Boys album. What’s not to like?

SloanPretty Together Sloan
are so smart that they reinvent themselves on every album out of sheer
boredom. Still trolling the 70s, this time they have melded KISS and
Fleetwood Mac and yet they still sound like Sloan. Not as good d’Auzon as Between the Bridges, but really excellent nonetheless.

Grant-Lee PhilipsMobilize GLP
isn’t as Americana-sounding as he was in his Grant Lee Buffalo days and
has embraced technology. That’s a good thing. His songs are still great
and his voice is amazing. Plus he’s on the Gilmore Girls, not that that’s a reason to put his album on a top ten list.

Hefner Dead Media
Songwriting-wise, Hefner’s Darren Hayman is doing the same thing he
always does — arch, literate odes to love, sex and cheap nba jerseys breaking up. On Dead Media though, almost all of it is played on old analog synths with some slide guitar for good measure. Smiths fans will like it.

Stephen MalkmusStephen Malkmus SM 2012 ditches Pavement and makes his most enjoyable record since Crooked Rain, Crooked Rain.
He’s also aiming for guitar-god status, with some boogie-rock solos
mixed in with his Lou Reed fixations and songs about Yul Brenner.

Zero 7The Simple Things Yes,
it sounds like Air meeting Morcheeba is some hip London club, but so
what? Both those bands suck now. Somebody’s got to fill the void and Best The Simple Things does it very, very well.

Animals that SwimHappiness from a Distant Star I
was initially dissapointed with ATS’ third album, but have come to
really like it. Singer/drummer Hank Stars’ songs are like little movies
about the seedy side of London. All of which are set to jaunty little
tunes with plenty of trumpet.

Kingsbury ManxLet You Down Be
it Luna, Acetone or the early days of the Verve, I love the indie
stoner rock. The Kingsbury Manx do the dreamy, languid, hazy thing
better than just about anybody these days. That they write really good
songs with Lin Beach Boys harmonies doesn’t hurt either.

Best record of 2001 that didn’t get released: Wilco – Yankee Hotel Foxtrot
Also-rans: Super Furry AnimalsRings Around the World, New OrderGet Ready, PulpWe Love Life, ChameleonsWhy Call it Anything?, Rufus WainrightPoses, Echo & the BunnymenFlowers, Human LeagueSecrets, Radiohead live, Mercury RevAll Is Dream, I Am KlootNatural History, wholesale nba jerseys American Analog SetKnow By Heart, Trembling Blue StarsAlive to Every Smile, The StrokesIs This It, WeezerS/T, Kings of ConvenienceVersus, Gorky’s Zygotic MynciHow I LongTo Feel That Summer In My Heart, TravisThe Invisible Band, The AvalanchesSince I Left You, Black Rebel Motorcycle ClubBMRC, White StripesWhite Blood Cells

Best live show: Sloan, Bowery Ballroom 11/19/2001

Songs
Travis – “Sing”
Jimmy Eat World – “Bleed American”
Belle and Sebastian – “I’m Waking Up to Us”
The Chameleons – “Miracles and Wonders”
Shins – “New Slang”